Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

A bus called Sueños (Dreams) links three modern-day tales set in exotic Ecuador - the equator-straddling country that calls itself "The Middle of the World." Each of these stories carries a woman's name, and each features a mysterious, alluring female outsider who bewitches men. In the first tale, a blonde woman with an unclear past arrives in a remote, male-deprived Andean town and offers piano lessons, only to become the focus of wild rumors and innuendo. In the second, a married college professor who is haunted by nightmares becomes obsessed with a beguiling woman who seems to be sending him an ominous message. In the final story, a couple vacationing at a jungle resort refuse to believe in the ancient myths of Ecuador, but are forced to confront the legendary Guasangó.

New Mexico, present day. Brian and Lukas are off to the desert to join a kegger party and to celebrate Lukas’ victory in a motocross competition. His winning prize includes meeting The Deathinator, the biggest action star in the world. The party gets started under the hot desert sun, but Brian isn’t in the mood, so he wanders off and is soon joined by his friend, Lukas. They discover something strange in the desert which leads them into a secret military laboratory, where they discover the disturbing truth of what the government has been doing. Secret experiments on ants and spiders using DNA found in a meteorite which fell to Earth in 1951 has given birth to mutated giant ants which have overrun the facility. Now, it's up to Brian and Lukas to save the world from a giant ant invasion!

A mother hires an ex-C.I.A. man to find and bring back her son, who has been abducted by his father and taken to Morocco, where his grandfather, the ruler of a desert tribe, wants him to become his successor.

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

A story about the choices of people who either believe money is everything or believe that it’s not.

Through the patience of Al Khansa, the fierce justice of Al Shanfara, and the unbreakable resilience of Zubaiba, this drama unearths the untold stories that shaped pre-Islamic Arabia.

Howe Gelb is a musician with a philosophy: Music must evolve. So he never plays his own music the same.

Beautifully filmed story set in a remote village, somewhere ‘to the south of the desert’ in Patagonia; a 13 year old boy starts to take a different view of the world around him and runs away from his parental home. Does he embark on a real journey or is this the (symbolic) point of departure to another, new life?

Beloved Kostya and Masha decide to get married. But immediately there are problems with relatives. Kostya's father is a retired military man, a strong—willed Russian man who plans to rent an Officer's House for a family celebration, invite all relatives up to the fifth generation and celebrate according to the traditions of the Russian feast.